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Brilliant interview....Larry is the GOAT ! Thanks for putting this together, enjoyed every minute.

Fantastic, lots of memories from late 60s at SIU Electronic Music Labs. My first exposure to Moog equipment. Eventually led to 40 years at NBC Engineering.

Great one.......

Rage In Agreement With The Machine

David Mash has advanced understanding of, and education about electronic music synthesis more than any other single individual! I was fortunate to witness much of what he did. Best, Tom Rhea.

Prince played, sang , danced and looked so FINE....With or without a Computer 💜💜💜

Yep

Great discussion! re 4 tracks - there is a real boom in cassette loopers and ambient music that has rediscovered the format, as they handily come with a mixer and aux sends! I do workshops with students - 4 Track Challenge - using old tascam and fostex portastudios - and the kids really love the challenge of the limitations as you no longer ' see' the music, but have to form its image and structure in your head, and plan ahead.

Oh my goodness I heard you singing yesterday at Sofi stadium, your voice is so beautiful

Clean, pristine recordings …🤩

Great interview. Love hearing her story.

Sad reality😢

Another Geddy Lee protege! Gotta love it. Rush rocks!

great discussion! Loved this!

I like this, I started in the mid to late 70’s as a kid self teaching guitar and drums, then building and operating a pa, then using the gear and multiple recorders to record multitracks using manual pre emphasis de emphasis noise reduction between premixed live takes, then got a recording studio internship 1285 miles away in NYC learning how to mix on. Neve 8068 and massive 56+ channel Salsa bands, then gigs with A-listers, then. Rehearsal studio gig with A-listers and a band and freelance live gigs, always asking the best how to do the things they do, Jaco, Dennis Chambers, Joe Cocker, Roger Daltrey, John Scofield, Jeff Bova, Chaka Kahn, and tons more, and they told me/showed me, got house gigs at the China Club, CBGB, The Bottom Line, then touring, and had a studio and some studio house gigs, always interning to learn new gear, and now I have one in my house and I’m loving the new tech so far. I REALLY LOVE THESE VIDEOS!

Great interview, without waste !

I would like to echo Dan's assessment: thanks for a great body of work, Dominic Milano! Tom Rhea.

Yup, Dominic did it the way all of us did it-with chewing gum and baling wire! "Can you do that or that" they would ask, and you would say "of course,," and go away sweating bullets wondering how you were going to get this or that done! Thanks for mentioning my book "Electronic Perspectives: Vintage Electronic Musical Instruments," always appreciated. However, I have to depart a bit from the conversation that MIDI "nay-sayers" such as myself were "proven wrong." Yes, MIDI made a small industry grow hugely, no question. But my comments were always about expressivity-nuance. And early MIDI had problems that kept development of, e.g. wind synthesis instruments on hold for a time. No time to nerd out about that now of course! Best, Tom Rhea.

What an experience. Just playing with Prince has to be amazing. I can't image the stress of playing with Prince. You can not make a mistake. Your skills shined through.

Jerry is a legend! Been following his work since I started my career on a Korg Triton. All his tips and tutorials across Irish Acts, the Korg Forums, etc have been invaluable!

Thanks for this, a great interview conversation. Thinking about the comments at the end winding up, I can't think of anyone who has gone deeper in exploring the combination of art and technology, in both domains. Especially looking at this from my perspective as a recording musician and composer, who happens to also have an electronics background. Just the chapter of his life working at Bell Labs is amazing and fascinating. Listening to this, I think I know exactly what he was talking about, regarding the stuff he recalled making using a computer at Bell Labs and sneaking out on a 5 inch reel of 1/4 inch tape, which I suspect is something that appears on the Synergy album Games. It's this sort of crazy energetic thing that's like sample & hold combined with wild arpeggiation. (I can't remember which track it was right now.) I just remember listening and thinking "WOW... that's pretty wild!". I didn't know exactly what was going on, but I knew it sure as hell was not coming out of a Minimoog! Years ago, around 2001/2002, I sent Larry an email about something on his website. In passing, I mentioned a magazine interview he did, around the time of Audion (about 1981?). He had talked about the Bell Labs experience, including digital audio. He talked about the idea of a future of "the tapeless studio", involving digitized audio stored on hard disk (and this was in a time when a 10 MB hard disk drive was a big deal). I mentioned that and how interesting it was to be in the present (at that time) when computer based digital recording was well established, thinking back on that magazine interview in a time when that seemed like science fiction. He wrote an email reply back, and said that, back then around 1981, he could see it coming down the road in the future, but at the time, he thought that the electronics hardware involved would not develop to the point where digital multitrack recording with good quality would be a practical proposition until maybe something like 2025 or so. Yet, there we were, about a quarter of a century ago, now, and computer based digital multitrack recording was common; even I was doing some, as a musician with a modest commonplace PC and very little money. (Of course, I was very limited, and I had to be extremely economical about every byte of disk space... but I was doing it!)

Larry is a great musician, thinker, designer - all kinds of good work!

Love him on becker, that whas also a reason I watched that show.... he should make a few songs and put them out... but I can see he has no time for something like that.

and Queensrÿche

interesting topics

I like this guy, the way he reacts to the questions is entertaining!

thank you, great interview.

Healthy touring. Isn't that an oxymoron?

Link to the full episode: ruclips.net/video/XwfcFCZ7X9w/видео.html

It's a shame this great contentit attracts such less views. Keep the good work up

DAMN this is a GREAT promo video! 😀

I like his sweater. Good video

What a fantastic interview! Really, really enjoyed this. Question: if someone wanted to mix a record in the old school method, completely out of the box (as opposed to “in the box” for instance, like internally in ProTools), what are one or two of the best studios available these days with enough outboard gear for a complete outboard mix experience? Do you have any recommendations?

Wow!! What a discography!

Fascinating stuff! funny too…

Gabi is the best!!!

Kevin, my buddy Mat Dauzat says you were a huge influence on his learning engineering. I’d love to work with you & Kane on somethin there at the Hideout! Cheers JT

Loved listening to this interview. I learned a lot about what Jerry was involved in throughout his musical life. I had the pleasure of meeting him at a local concert in Connecticut. Great stuff!

Love it🩷

❤❤❤❤

Ampeg all the way.

I worked at a New York City recording studios called Automated Sound Studios and another called Superdupe Recording aka SDC Recording around the same time Howie started there. A&R Studios was another one and Bell Sound preceded them all.

Can you please ID the panelists (from l. to r.)? Thanks.

Really enjoyed this conversation! Chuck is as good as they get - and has always made me wish I could hear in both ears.

This guy is so interesting

Performance mixing. I have fond memories. I'm curious if Mr. Schnee would have others help with the faders in the process. Sometimes I used to ask for help on the faders and there would be 3 of us working a mix in the studio as a live performance. Sometimes we resembled a game of Twister. I've only ever had 2 hands with some fingers.

Hide your spoons!!

Great interview and content! I would like offer a different opinion on the statement regarding how digital affects the creative process " ... There are so many people who now because we are so digital, they never play with other people... There's no interplay between humans..." Well, we are two longtime friends creating music just for the fun of it, but we now live in separate states. With digital, (we both have TASCAM DP-32's) we are able to send SD cards back and forth (in an envelope) and create interesting music. We could even email music files if we we could figure out how. (We are two old school, low tech old timers). I love my old TASCAM 38 1/2" 8 channel reel to reel, but it's just not feasible to find another functioning TASCAM 38 for my bandmate, and mailing 1/2" tape would require more money, and trust in the shipping service you choose. Also, Brian might like what we do because we use a lot of Mellotron (M400 and digital) and we love vintage synths, inexpensive guitars, antique effects, and we even just created a 44 minute one song concept album in this world of short attention spans. For fun, we release our albums on our RUclips channel.

Brian, what's the Quadraverb reverb preset you used? I still have mine! Great content by the way.

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